Trojanovo trio (Pavel Hůla-violin, Jaroslav Novák-guitar, Ladislav Horák – accordion):
Air (arr. Václav Trojan)
Choir (arr. Jaroslav Novák)
Prelude and Fugue in F major Prelude and Fugue in F Major BWV 556
Prelude and Fugue Fis Major Prelude and Fugue F sharp Major BWV 858
Prelude and Fugue in F Minor Prelude and Fugue F sharp Minor BWV 859
Goldberg Variations (selection) Goldberg Variations BWV 988
Prelude and Fugue in F minor Prelude and Fugue F Minor BWV 881
Prelude and Fugue in F Minor Prelude and Fugue F sharp Minor BWV 883
Prelude and fugue in B minor Prelude and fugue B flat Minor BWV 893
Prelude and Fugue in D minor Prelude and Fugue in D minor BWV 875
Chaconne in D minor BWV 1004
French Suite No. 5 G Major (selection) French Suite No. 5 G Major (selection) BWV 816
Anna Paulová – clarinet, Jiří Lukeš – accordion:
Trio Sonata No. 1 in E flat major Triosonate No. 1 E flat Major BWV 525
Allegro moderato – Adagio – Allegro
We accordionists are grateful to the great composer for having left us so much for us!
BACH FOR ACCORDION.
Of course, the accordion, as one of the youngest concert instruments, could not meet the Master directly.
This instrument was first introduced to him thanks to the possibilities of effective performance of his organ compositions. Only in the last quarter of a century, however, did he realize how unique it was with a combination of “infinite tone” and bellows guidance disposition; manuals, perfect articulation work with individual voices, thanks to the possibilities that no other instrument has. Accordion thus brings a look at Johann Sebastian Bach, who is not “perceived” and for many festival visitors surely discoverable (ACCORDION FOR BACH).
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